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Broken Brotherhood
The Rise and Fall of the National Afro-American Council
Benjamin R. Justesen
Southern Illinois University Press, 2008

Broken Brotherhood: The Rise and Fall of the National Afro-American Council gives a comprehensive account of the National Afro-American Council, the first truly nationwide U.S. civil rights organization, which existed from 1898 to 1908. Based on exhaustive research, the volume chronicles the Council’s achievements and its annual meetings and provides portraits of its key leaders.

Led by four of the most notable African American leaders of the time—journalist T. Thomas Fortune, Bishop Alexander Walters, educator Booker T. Washington, and Congressman George Henry White—the Council persevered for a decade despite structural flaws and external pressures that eventually led to its demise in 1908.

Author Benjamin R. Justesen provides historical context for the Council’s development during an era of unprecedented growth in African American organizations. Justesen establishes the National Afro-American Council as the earliest national arena for discussions of critical social and political issues affecting African Americans and the single most important united voice lobbying for protection of the nation’s largest minority. In a period marked by racial segregation, widespread disfranchisement, and lynching violence, the nonpartisan council helped establish two more enduring successor organizations, providing core leadership for both the National Association for the Advancement of Colored People and the National Urban League.

Broken Brotherhood traces the history of the Council and the complicated relationships among key leaders from its creation in Rochester in 1898 to its last gathering in Baltimore in 1907, drawing on both private correspondence and contemporary journalism to create a balanced historical portrait. Enhanced by thirteen illustrations, the volume also provides intriguing details about the ten national gatherings, describes the Council’s unsuccessful attempt to challenge disfranchisement before the U.S. Supreme Court, and sheds light on the gradual breakdown of Republican solidarity among African American leaders in the first decade of the twentieth century.

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Brother Bill
President Clinton and the Politics of Race and Class
Daryl A Carter
University of Arkansas Press, 2016

“This book is a fascinating analysis of race and class in the age of President Bill Clinton. It provides much-needed clarity in regards to the myth of the ‘First Black President.’ It contributes much to our understanding of the history that informs our present moment!”
—Cornel West


As President Barack Obama was sworn into office on January 20, 2009, the United States was abuzz with talk of the first African American president. At this historic moment, one man standing on the inaugural platform, seemingly a relic of the past, had actually been called by the moniker the “first black president” for years.

President William Jefferson Clinton had long enjoyed the support of African Americans during his political career, but the man from Hope also had a complex and tenuous relationship with this faction of his political base. Clinton stood at the nexus of intense political battles between conservatives’ demands for a return to the past and African Americans’ demands for change and fuller equality. He also struggled with the class dynamics dividing the American electorate, especially African Americans. Those with financial means seized newfound opportunities to go to college, enter the professions, pursue entrepreneurial ambitions, and engage in mainstream politics, while those without financial means were essentially left behind. The former became key to Clinton’s political success as he skillfully negotiated the African American class structure while at the same time maintaining the support of white Americans. The results were tremendously positive for some African Americans. For others, the Clinton presidency was devastating.

Brother Bill examines President Clinton’s political relationship with African Americans and illuminates the nuances of race and class at the end of the twentieth century, an era of technological, political, and social upheaval.

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Brothers
A Memoir of Love, Loss, and Race
Nico Slate
Temple University Press, 2023

Brothers is Nico Slate’s poignant memoir about Peter Slate, aka XL, a Black rapper and screenwriter whose life was tragically cut short. Nico and Peter shared the same White American mother but had different fathers. Nico’s was White; Peter’s was Black. Growing up in California in the 1980s and 1990s, Nico often forgot about their racial differences until one night in March 1994 when Peter was attacked by a White man in a nightclub in Los Angeles.

Nico began writing Brothers with the hope that investigating the attack would bring him closer to Peter. He could not understand that night, however, without grappling with the many ways race had long separated him from his brother.

This is a memoir of loss—the loss of a life and the loss at the heart of our racial divide—but it is also a memoir of love. The love between Nico and Peter permeates every page of Brothers. This achingly beautiful memoir presents one family’s resilience on the fault lines of race in contemporary America.

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Brown Skin, White Masks
Hamid Dabashi
Pluto Press, 2011

In this unprecedented study, Hamid Dabashi provides a critical examination of the role that immigrant "comprador intellectuals" play in facilitating the global domination of American imperialism.  

In his pioneering book about the relationship between race and colonialism, Black Skin, White Masks, Frantz Fanon explored the traumatic consequences of the sense of inferiority that colonized people felt, and how this often led them to identify with the ideology of the colonial agency. Brown Skin, White Masks picks up where Frantz Fanon left off. Dabashi extends Fanon’s insights as they apply to today's world.

Dabashi shows how intellectuals who migrate to the West are often used by the imperial powers to misrepresent their home countries. Just as many Iraqi exiles were used to justify the invasion of Iraq, Dabashi demonstrates that this is a common phenomenon, and examines why and how so many immigrant intellectuals help to sustain imperialism.

The book radically alters Edward Said’s notion of the “intellectual exile,” in order to show the negative impact of intellectual migration. Dabashi examines the ideology of cultural superiority, and provides a passionate account of how these immigrant intellectuals—rootless compradors, and guns for hire–continue to betray any notion of home or country in order to manufacture consent for imperial projects.

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Brown Tide Rising
Metaphors of Latinos in Contemporary American Public Discourse
By Otto Santa Ana
University of Texas Press, 2002

2002 – Best Book on Ethnic and Racial Political Ideology and/or Political Theory – Organized Section on Race, Ethnicity, and Politics of the American Political Science Association

"...awash under a brown tide...the relentless flow of immigrants..like waves on a beach, these human flows are remaking the face of America...." Since 1993, metaphorical language such as this has permeated mainstream media reporting on the United States' growing Latino population. In this groundbreaking book, Otto Santa Ana argues that far from being mere figures of speech, such metaphors produce and sustain negative public perceptions of the Latino community and its place in American society, precluding the view that Latinos are vested with the same rights and privileges as other citizens.

Applying the insights of cognitive metaphor theory to an extensive natural language data set drawn from hundreds of articles in the Los Angeles Times and other media, Santa Ana reveals how metaphorical language portrays Latinos as invaders, outsiders, burdens, parasites, diseases, animals, and weeds. He convincingly demonstrates that three anti-Latino referenda passed in California because of such imagery, particularly the infamous anti-immigrant measure, Proposition 187. Santa Ana illustrates how Proposition 209 organizers broadcast compelling new metaphors about racism to persuade an electorate that had previously supported affirmative action to ban it. He also shows how Proposition 227 supporters used antiquated metaphors for learning, school, and language to blame Latino children's speech—rather than gross structural inequity—for their schools' failure to educate them. Santa Ana concludes by calling for the creation of insurgent metaphors to contest oppressive U.S. public discourse about minority communities.

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The Browning of the New South
Jennifer A. Jones
University of Chicago Press, 2019
Studies of immigration to the United States have traditionally focused on a few key states and urban centers, but recent shifts in nonwhite settlement mean that these studies no longer paint the whole picture. Many Latino newcomers are flocking to places like the Southeast, where typically few such immigrants have settled, resulting in rapidly redrawn communities. In this historic moment, Jennifer Jones brings forth an ethnographic look at changing racial identities in one Southern city: Winston-Salem, North Carolina. This city turns out to be a natural experiment in race relations, having quickly shifted in the past few decades from a neatly black and white community to a triracial one. Jones tells the story of contemporary Winston-Salem through the eyes of its new Latino residents, revealing untold narratives of inclusion, exclusion, and interracial alliances. The Browning of the New South reveals how one community’s racial realignments mirror and anticipate the future of national politics.
 
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Building the South Side
Urban Space and Civic Culture in Chicago, 1890-1919
Robin F. Bachin
University of Chicago Press, 2004
Building the South Side explores the struggle for influence that dominated the planning and development of Chicago's South Side during the Progressive Era. Robin F. Bachin examines the early days of the University of Chicago, Chicago’s public parks, Comiskey Park, and the Black Belt to consider how community leaders looked to the physical design of the city to shape its culture and promote civic interaction.
Bachin highlights how the creation of a local terrain of civic culture was a contested process, with the battle for cultural authority transforming urban politics and blurring the line between private and public space. In the process, universities, parks and playgrounds, and commercial entertainment districts emerged as alternative arenas of civic engagement.
 “Bachin incisively charts the development of key urban institutions and landscapes that helped constitute the messy vitality of Chicago’s late nineteenth- and early twentieth-century public realm.”—Daniel Bluestone, Journal of American History
"This is an ambitious book filled with important insights about issues of public space and its use by urban residents. . . . It is thoughtful, very well written, and should be read and appreciated by anyone interested in Chicago or cities generally. It is also a gentle reminder that people are as important as structures and spaces in trying to understand urban development."
—Maureen A. Flanagan, American Historical Review
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Bull Connor
William A. Nunnelley
University of Alabama Press, 1990
A vivid portrait of the man who made Birmingham infamous

Nunnelley’s biography covers Connor’s early life as a sportscaster, his years as a nearly pathological police chief, and his reign as president of a corrupt public service commission.While providing the first published biographical study of Connor, Bull also traces the evolution of the civil rights movement in Birmingham. The book amplifies traditional one-dimensional accounts through the use of such primary sources a s Connor FBI files gained from a Freedom of Information request, Connor papers discovered in an old fire station about to be demolished, files from a law firm which represented Connor, interviews, and newspaper files. Connor’s racist image remains intact, but a more complete portrait of the controversial commissioner emerges.

Eugene “Bull” Connor gained infamy during the spring of 1963 as the heavy-handed Birmingham police commissioner who turned power hoses and police dogs on the black demonstrators led by Martin Luther King, Jr. Bull Connor and Birmingham symbolized hard-line Southern racism. Connor’s actions received national and international media coverage, which dramatized the plight of black people in segregated areas, giving the civil rights movement much-needed attention. After viewing television reports of the fire-hose and police-dogs episode, President John Kennedy said, “The civil rights movement should thank God for Bull Connor. He helped is as much as Abraham Lincoln.”

Bull Connor was an unlikely catalyst for the civil rights movement. Rather than forestalling integration, his response to the 1963 demonstrations hastened the demise of the dual society of which he became a symbol. Within weeks of King’s much-publicized Birmingham campaign, Congress took the first steps toward enacting the most sweeping civil rights legislation in American history. Birmingham was a turning point in the civil rights struggle, and Connor was the movement’s perfect adversary.
 
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Burnt Cork
Traditions and Legacies of Blackface Minstrelsy
Stephen Johnson
University of Massachusetts Press, 2012
Beginning in the 1830s and continuing for more than a century, blackface minstrelsy—stage performances that claimed to represent the culture of black Americans—remained arguably the most popular entertainment in North America. A renewed scholarly interest in this contentious form of entertainment has produced studies treating a range of issues: its contradictory depictions of class, race, and gender; its role in the development of racial stereotyping; and its legacy in humor, dance, and music, and in live performance, film, and television. The style and substance of minstrelsy persist in popular music, tap and hip-hop dance, the language of the standup comic, and everyday rituals of contemporary culture. The blackface makeup all but disappeared for a time, though its influence never diminished—and recently, even the makeup has been making a comeback.

This collection of original essays brings together a group of prominent scholars of blackface performance to reflect on this complex and troublesome tradition. Essays consider the early relationship of the blackface performer with American politics and the antislavery movement; the relationship of minstrels to the commonplace compromises of the touring "show" business and to the mechanization of the industrial revolution; the exploration and exploitation of blackface in the mass media, by D. W. Griffith and Spike Lee, in early sound animation, and in reality television; and the recent reappropriation of the form at home and abroad.

In addition to the editor, contributors include Dale Cockrell, Catherine Cole, Louis Chude-Sokei, W. T. Lhamon, Alice Maurice, Nicholas Sammond, and Linda Williams.
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Buxton
A Black Utopia in the Heartland, An Expanded Edition
Dorothy Schwieder
University of Iowa Press, 2003
From 1900 until the early 1920s, an unusual community existed in America's heartland-Buxton, Iowa. Originally established by the Consolidation Coal Company, Buxton was the largest unincorporated coal mining community in Iowa. What made Buxton unique, however, is the fact that the majority of its 5,000 residents were African Americans—a highly unusual racial composition for a state which was over 90 percent white. At a time when both southern and northern blacks were disadvantaged and oppressed, blacks in Buxton enjoyed true racial integration—steady employment, above-average wages, decent housing, and minimal discrimination. For such reasons, Buxton was commonly known as “the black man's utopia in Iowa.”
Containing documentary evidence—including newspapers, census records, photographs, and state mining reports—along with interviews of 75 former residents, Buxton: Work and Racial Equality in a Coal Mining Community (originally published in 1987 and winner of the 1988 Benjamin Shambaugh Award) explored the Buxton experience from a variety of perspectives. The authors—an American historian, a family sociologist, and a race relations sociologist—provided a truly interdisciplinary history of one Iowa's most unique communities.
Now, eighty years after the town's demise and fifteen years after Buxton's original publication, the history of this Iowa town remains a compelling story that continues to capture people's imaginations. In Buxton: A Black Utopia in the Heartland, the authors offer further reflections upon their original study and the many former Buxton residents who shared their memories. In the new essay, “A Buxton Perspective,” issues such as social class and the town's continuing legacy are addressed. The voices captured inBuxton, although recorded over twenty years ago, still resonate with exuberance, affection, and poignancy; this expanded edition will bring their amazing stories back to the forefront of Iowa and American history. 
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